FxHome Ignite Express 2017 is first-of-its-kind, a collection of more than 90 professional-quality FREE plugins to drive your film edits into high gear. They are for Mac OSX 10.9+ and Windows 7+. 64-bit only.
Over 150 creative plugins to transform editors into visual effects toolkits.
Ignite Pro 2017 is a collection of over 150 creative plugins that can be used with your other software. Bring HitFilm Pro technology to other editors with powerful plugins including color correction and keying tools, light flares, particle effects and much more. Compatible with Adobe After Effects, Adobe Premiere, Apple Final Cut Pro X, Apple Motion, Sony Catalyst, Blackmagic Design DaVinci Resolve, The Foundry NUKE, Grass Valley EDIUS, Avid Media Composer and Vegas Pro 14.
Highlights of Ignite Pro
Wherever, whenever: Ignite fits into any workflow. Install the plugins on Mac or PC, to all hosts, on up to 3 computers. No arbitrary restrictions.
Professional keying: T he best chroma key in the business, with project-saving spill replacement for 100% realistic composites.
Atomic particles: Form-based particle system with fractal and audio-driven animation.
Light flares: The ultimate lens flare collection with streaks, highlights, leaks, artificial lens dirt and anamorphic artifacts.
Advanced effects inside your chosen editor: The Ignite plugins transform editors like Premiere Pro CC and Final Cut Pro X, turning them into powerful visual effects toolkits.
Colorist’s toolkit: Expand your color correction and grading potential.
All major hosts: Adobe After Effects, Adobe Premiere, Apple Final Cut Pro X, Apple Motion, Sony Catalyst, Blackmagic Design DaVinci Resolve, The Foundry NUKE, Grass Valley EDIUS, Avid Media Composer and Vegas Pro 14.
Also included with HitFilm Pro 2017: Ignite is available on its own or included with HitFilm Pro 2017.
Simple and clean integration of mixed frame rate content in your project.
FrameFormer for Final Cut Pro X (FCP X) is a motion compensated standards conversion plug-in for FCP X and Motion. High-quality motion-compensated conversion guaranteed; preview your conversion results as you work.
New: NewBlueFX Titler Pro 5, FCPX Plugin (and other hosts)
The new Titler Pro 5 now has more customizability, greater workflow enhancements, and a new multi-title management experience. Titler Pro 5 is the standard for fast titling. It’s easy-to-use and delivers results beyond what’s possible with your editor’s built-in titling application.
Through its familiar drag-n-drop workflow and intuitive controls, Titler Pro 5 makes it easy to get started and quickly master. Create a stunning title in seconds by applying one of the over 100 animated templates, then customize the text, colors and more for a powerful result.
Titler Pro 5 Ultimate Reg: $499, Toolfarm Price $474.05
Upgrade from v4: $299
Titler Pro 5 Elite Reg: $399, Toolfarm Price: $379.05
Upgrade from v4 $249
Titler Pro 5 Reg:$299, Toolfarm Price: $284.05
Upgrade from v4 $199
Reposition and scale any masked footage with Monadnock 1 Matte Mask, part of the FXFactory family of products.
Advanced tool to reposition and scale any masked footage.
1 Matte Mask is the ideal tool for custom split screens, graphic templates and projection mapping. 1 Matte Mask uses a single matte track to mask an unlimited number of video and still layers, and it works in Final Cut Pro, Premiere Pro, After Effects and Motion.
This product requires Noise Industries FxFactory to run (Free Download).
UsefulFX Survey, FCPX Plugin
Maybe the election has passed but there will be another one before you know it! Use Survey to map, chart and graph the presidential election without tons of layers. Part of the FXFactory family of products.
Shnorph lets you twirl, morph, inflate and shrink any graphic or clip on your Final Cut Pro X timeline. Part of the FXFactory family of products.
Fun and Unique Twirl Effects! Shnorph makes twirling, morphing, inflating and shrinking animations from any graphic or clip on your timeline. Shnorph doesn’t require any keyframing. It’s the latest in the conspiracy to make your content cooler and keep your job simple. Available exclusively for Final Cut Pro.
This product requires Noise Industries FxFactory to run (Free Download).
Final Cut Pro X always has new plug-ins available and we don’t give them enough publicity so I thought it would be a good idea to start a new monthly column telling you what’s new and cool! Often, new products have a limited time.
Note: We have two late additions to the list. Red Giant Magic Bullet Suite v13 came out yesterday after this article was published, so I’ll add some info near the top since it’s a big one! The Luut Action pack was sadly missed, but it’s being added now!
Red Giant Magic Bullet Suite v13
Magic Bullet Suite 13 includes seven products. Five products have been upgraded and one is entirely new. Magic Bullet Looks 4, Colorista IV, Denoiser III, Mojo II, Cosmo II, Film 1.2, and the all-new Magic Bullet Renoiser.
What it does
Magic Bullet Suite is a set of seven tools that bring intuitive real-time color correction and more into your editorial timeline.
Why it’s special
There’s no other tool like Magic Bullet Suite on the market. Instead of listing the details here, I’m linking you to Toolfarm for the information.
All the Magic Bullet Suite Products are fully compatible with Final Cut Pro X.
Digital Anarchy Samurai Sharpen for Video
$99 Introductory Sale Through November 15th, 2016
What it does
From my own personal experience, most sharpening plug-ins on the market tend to over-sharpen and bring out the noise and compression artifacting. The good noise reduction tools are often expensive and/or slow. Samurai Sharpen was developed so that users can isolate noisy areas and sharpen just what needs to be sharpened. It’s made to be fast, precise, and easy to use.
Why it’s special
Isolate only the areas you want to sharpen with edge-aware algorithms and fine tuning controls
Built-in masking allows users to avoid sharpening noise.
One license supports Adobe After Effects, Premiere Pro, and Apple FCP X. Avid and OpenFX support is coming soon.
As you probably know, there’s no “White Balance” button in Final Cut Pro X that balances with the ease of an eyedropper, so it’s necessary to use plug-ins or use color wheels. I’ve recently tested some green screen footage in which the skin tones were very orangey from the Tungsten lights, and the actress had no areas of white to sample. This plug-in worked great!
Why it’s special
The powerful AutoBalance algorithm white-balances your shot automatically fast even if there is nothing white visible in the frame.
It’s fast and easy. Just drag and drop! There are
Works in both Final Cut Pro X and Adobe Premiere Pro with one license.
White should look white, not peach, pink, or baby blue. White balancing footage will help your video look natural by looking at the color temperature in your shot and setting an accurate white, removing any unnatural color cast.
This can’t be done with the color picker in FCPX, but there are ways to make your whites accurate.
Plug-ins for Quickly White Balancing Footage
Dashwood Editor Essentials
Dashwood Editor Essentials is a set of utility plugins that can repair footage or do tasks that would normally require a lot of time and effort. It can make all the difference in delivering your edit on time, including white balancing your footage!
Cinemange can white balance footage and so much more. It’s both more sophisticated and streamlined than almost anything out there. If you’re looking for something to make your footage look ordinary – to balance your whites and tone your highlights, midrange, and shadows – Cinemage is not that plugin. If you’re looking for something that will make your footage look gorgeous, you’ve come to the right place.
SkinTone for Final Cut Pro X lets you quickly restore beautiful, natural skin tones in your subjects. Whether you forgot to white balance or had to wrestle with mixed lighting, SkinTone makes it easy to fix the shot. SkinTone gives you the same powerful Temperature and Tint controls found in photo editing applications – right inside FCP X.
HyColour is a really neat color grading effect for FCPX that brings white balance, exposure, green cast removal, saturation, color bias, sharpening and a broadcast safe filter, together in one place. Super handy, super cool.
NewBlueFX has several plug-in packages that include great tools for white balancing footage.
Quickly correct color balance your image with ColorFast’s powerful white balance algorithm. Just select the whitest part of your image with the dropper tool. It’s that easy… Plus, there are several other plug-ins in the package.
NewBlueFX ColorFast 2
ColorFast streamlines both color correction and color grading in one simple workflow. Use one of the 65 presets or create your own look from scratch. Perform primary color correction with easy to use controls or bring out the full potential of your clips using deep color grading options.
NewBlueFX Essentials Volume 3 – Change white balance and add film gamma to fix white balance issues with footage shot in harsh sunlight or indoor lighting. NewBlue Essentials 3, Volume 3 delivers 8 versatile editing tools built to soften wrinkles and remove blemishes, optimize color and contrast, fine-tune luminance values, and more
NewBlueFX Filters Ultimate – NewBlue Filters 3 Ultimate presents over 250 presets in 22 video effects to instantly enhance video through an array of distinctive looks
Perform an Automatic Color Balance in Final Cut Pro X without Plug-ins
Premium Beat has an article that explains how to use the Inspector in FCP X to perform a white balance. They explain how to color balance whether the shot has been analyzed upon import or not. Read more here.
Director and editor Brian King talks about his experience working on a music video for the song Mercy by Citizen Four. He covers deadlines, color grading changes, workflow, logging, back trimming, and more. He shares some excellent workflow tips for FCPX. Even if you’re not interested in reading about his experience while working on the video, read the article for the tips!
I admit that I’m not familiar with the group, but they are talented. This is a very catchy song, and the video, of course, looks fabulous.
About Lucid Potato
Lucid Potato was founded by King and Sean O’Brien in Los Angeles, CA, in 2008. They have done a multitude of production work in tv and commercial, working on anything from branded content, full campaigns, documentaries, and more. They have a fun name, as well!
Here are a few suggestions on products that can help greatly with workflow, especially when under quick turnaround times.
Intelligent Assistance Finisher for Final Cut Pro
Take your a-roll edit (a.k.a. “radio” cut) and send it to Finisher to add b-roll and lower third titles, automatically! Go from radio cut to ready-to-view in minutes; speed your finishing workflow. How many places will this save you time?
The SliceX / TrackX / DriveX bundle gives you three powerful tools for using Academy Award winning mocha tracking directly on the timeline in FCP X.
SliceX lets you create instant tracked Shape Masks to cut out layers or isolate effects. SliceX includes eleven motion templates for common tasks and you can also use the Shape Masks with built-in effects, the built-in color corrector or with third party plugins. SliceX powered by mocha takes the pain out of following complex motion, just draw a shape and hit “track”. You can then adjust with manual keyframes as needed.
TrackX can track text or graphics to background movement for innovative title effects, or track and insert a layer for screen replacements, to replace a sign, or extend a set.
DriveX harnesses the full power of Mocha tracking with complex 3D effects and particles, and stylish motion graphics. CoreMelt DriveX allows advanced users to link any parameters inside an Apple Motion Template to track data, and publish the result as an FCP X effect. DriveX includes 40 motion templates to get you started with more coming soon.
LUT is short for Look Up Tables. It is a lot like a multiplication table that allow users to apply color grade presets to your footage. Wolfcrow has a great explanation of what exactly it is. Read it here: What is a LUT (Look-Up Table)?
This is a cute little video and explains it all better than I can.
CoreMelt LUTx (free LUTx with CoreMelt’s Everything Bundle!)
CoreMelt LUTx is the most powerful LUT solution for Final Cut Pro X. Color Look Up Tables (LUTs) allow you to apply preset color grades by professional colorists easily on your own footage.
The Bundle contains two LUT collections, Feature Film looks and Beauty, Fashion, Food Looks. Plus, get LUTx for free when you purchase the CoreMelt Everything Bundle!
LUTx can also load standard LUT cube or dat files in 1D or 3D format, such as ones created in Da Vinci Resolve, Adobe SpeedGrade or LUTs contained in dozens of commercial LUT packages on the internet.
Feature Film Looks
40 Feature Film looks designed by feature film colorist Shane Bartley in our first LUT collection. Unique features include the ability to create subtle looks by lowering the intensity of the LUT in shadows, midtones, and highlights, custom intuitive sliders, real-time previews of LUTs in our LUT browser and real-time wipe preview.
30 looks designed by experienced colorist Shane Bartley These looks emulate popular styles from fashion and beauty photography, from timeless styles to recent trends.
The Food LUT’s will enhance the vividness of any food and beverage footage, giving clean and crisp images. Purchasing LUTx Beauty Fashion Food Collection gives you a download link with all the Beauty Fashion Food look LUTs in standard cube format so you can also use them in Premiere Pro, Resolve, After Effects or Photoshop.
Free LUTs and LUT Tools
FCPXFREE.com LUTs for use with Coremelt LUT
FCPXFree.com has many free Look Up Tables (LUTs) for use with CoreMelt LUTx, to get the professional finish you are looking for.
Look up tables let you apply color correction looks created by professional colorists onto your footage inside FCP X, or you can apply Camera LUTs which convert from LOG to rec709 (video) color space. These cannot be loaded directly into FCP X. You need a LUT loader plug-in, the two free templates in CoreMelt LUTx will allow you to load and apply these LUTs.
LUT Buddy was created with the professional colorist in mind. In fact, the product came directly out of the film work of Stu Maschwitz, the Creative Director for many of our products. LUT Buddy runs in popular editors like After Effects and FCP, and shares its values beautifully with our new BulletProof application. Get LUT Buddy as part of Shooter Suite or Color Suite, but you can download it by itself too.
Achieve cinematic looks with ease with MLUT. MLUT is a professional 3D LUT loading tool for Final Cut Pro X and Motion 5 from MotionVFX. It allows you to collect, use and manage your LUT files, all in one place.
Import your own .cube files or use our packs from MotionVFX. There are five free LUTs included too!
Colorists spend years learning their craft and tools, but there’s no reason that you can’t learn some of the basics such color theory, color matching, and color grading. Knowing and utilizing even the most basic color grading tricks will give your projects the professional boost they deserve. Luckily, there are loads of tutorials and plug-ins to help you achieve the best results in a fast and easy manner.
First, let’s get the whole color grading vs. color correction spelled out. Color correction is what you do first to fix contrast, skin tones, bad white balance, color shifts, and that type of thing.
Color grading is the process of modifying the tones and colors in your project to give your footage a look or mood. These tutorials and tools often can do both. Sci-fi films tend to have crushed blacks and blueish tones. Romance movies may have warmer tones and a softer color palate. Action films often have saturated and contrasting colors.
Color Grading and Color Correction Tutorials
Understanding Color Theory
Let’s start out with the very basics. If you don’t quite understand color theory, Blender Guru has a nice tutorial on understanding the basics, like complementary colors, split complementary colors, tertiary colors, etc.
Color Matching and Color Grading in FCP X
Premium Beat has a cool training feature that came out around NAB Show that goes through the basics of color grading using the color board in Final Cut Pro X. They also explain the process of matching color between shots that do not match. The tutorial comes with media that you can download so that you can play along. Color grading and color matching are great skills for any editor to have.
Larry Jordan also had a program on color matching.
Final Cut Pro X – Color Grading a Film Tutorial
Denver Riddle has a full hour-long class about color grading a feature film in Final Cut Pro X that will get you started.
Plug-ins for Color Grading and Color Correction
Hawaiki Auto Grade
Hawaiki Auto Grade is an automatic white balance correction tool with several of extra grading features. It’s fast and easy to use. It works in Final Cut Pro, Premiere Pro, After Effects & Motion. Buy Hawaiki Auto Grade at Toolfarm for just $46.55. It sells everywhere else for $49.
The video below is from Larry Jordan and he goes through some of the features in Auto Grade.
Synthetic Aperture Color Finesse
Synthetic Aperture Color Finesse – Standalone and plug-in for After Effects, Final Cut Pro, Motion, and Premiere Pro. Now you can have telecine-style color correction that fits your workflow rather than imposing a new one. Color Finesse 3 gives you the high-end color correction and enhancement tools you need both as a plug-in for your favorite application.
Red Giant Colorista III
Red Giant Colorista III brings gorgeous color grading to your favorite editors and moves between them with consistent, natural-looking results. Its three stages of correction — Primary, Secondary, Master — use a color engine that’s similar to big-budget systems. Included with Red Giant Color Suite and works with After Effects, Premiere Pro, and Final Cut Pro.
Red Giant Magic Bullet Looks
Red Giant Magic Bullet Looks works with After Effects, Photoshop, Premiere, FCP X, Motion, Avid and Sony Vegas. This is a tool for specifically color grading, and starts out very simple, with 100’s of beautifully designed presets and treatments, ranging from practical lighting to popular Hollywood looks. Or you can always create your own.
Tiffen Dfx is a standalone and plug-in for After Effects, Photoshop, Premiere, Final Cut Pro and FCP X, and Avid. Tiffen Dfx simulates 2,000+ popular award-winning Tiffen glass filters, specialized lenses, optical lab processes, film grain, exacting color correction, plus natural light and photographic effects. The Tiffen Dfx digital filter suite is the definitive set of digital optical filters for top motion picture filmmakers, video editors, and VFX artists worldwide.
Boris Continuum Unit: Color and Tone
Boris Continuum Unit: Color and Tone unit is for After Effects, Premiere Pro, Final Cut Pro and Motion and it brings professional grade color grading tools to the table. It includes videoscope monitoring to ensure that your colors are safe. BCC 3 Way Color Grade lets you independently adjust the bright, mid, and dark region of a clip via built-in color spheres which are not only easy to use but offer real-time results. BCC Color and Tone filters are also included with Boris Continuum Complete.
Yanobox Moods – Plug-in for FCPX, Motion, Premiere Pro and After Effects. Moods is a unique color grading plug-in with a full-screen interface.
Nattress Levels and Curves
Nattress Levels and Curves are plug-in for FCP, Motion, and After Effects that use the power of curve-based color adjustments applied in film-log space.
“With the release of FCP X, Apple introduced the the new “Color Board.” In this color grading tutorial I will be explaining this new interface and its functions so that we can begin grading like pros!” – Color Grading Central
“Add quick stylization to your video projects with blending modes in Final Cut Pro X. Learn the technique with FREE stock footage and music from Shutterstock and PremiumBeat.
Using a video element with a blending mode is one of the fastest ways to add a custom look to your project. If you’re not already familiar with the term, a blending mode tells Final Cut Pro how to interpret the colors and luminance of a video layer. For example, the screen blending mode will completely remove black pixels in your video.
There are dozens of different blending modes in Final Cut Pro X that can affect your footage in different ways. Let’s check out a few of our favorites in a new tutorial.” – PremiumBeat
Super Dissolve completely reinvents the dissolve transition with a whole host of advanced features
If the look of your dissolves is important to you, this is a plug-in you can’t afford to be without.
SUPER DISSOLVE FEATURES:
Gamma Encoding – Super Dissolve offers unique in-depth control of the gamma encoding of the transition which has a very significant impact on the overall look.
Blend Modes – With 30 blending modes to choose from, Super Dissolve provides an incredibly rich range of compositing possibilities.
Layer Order – Another unique feature is the ability to choose the order in which the dissolve is composited.
Custom Curves – Super Dissolve offers you extensive and comprehensive control over the transition animation curves, with both a wide range of preset curves and complete manual control over the curve shape and timing.
Curve Design Interface – To facilitate the setting up of complex animation curves, Super Dissolve offers a unique interface that makes it easy to visualise exactly what you are creating.
True Asymmetric Dissolve – The unique and complex compositing technology inside Super Dissolve allows the user to create true asymmetric dissolves with discrete control over timing and blending.
Split Mode – Yet another unique feature is the ability to generate split dissolves where one half of the frame transitions through quicker than the rest.
Brightness & Blur – The ability to add either blur or brightness boost/cut or both means that the user can create glows and blooms and a variety of diffuse effects. In combination with the extensive blend modes options, this allows for some truly unique looks.
Dedicated Dip & Fade – Creating dips and fades is easy with Super Dissolve – just grab one of the dedicated modules which are optimised for these transitions. Again you have unprecedented control over every aspect of the dip or fade, allowing for subtle and complex results that no other transition offers you.