Do more in FCPX with these 3 new FXFactory Plug-ins!
These 3 new products offer easy face blurring, a 3D model of a macbook pro for showcasing your graphic or footage, and cool camera driven transitions to expand your FCPX capabilities.
CrumplePop FaceBlur for FCPX
FaceBlur by CrumplePop is a plugin that lets you blur or pixellate faces, logos, or other objects – right inside Final Cut Pro X. FaceBlur automatically tracks moving objects, so you don’t need to keyframe your blur effect by hand.
Final Cut Pro X always has new plug-ins available and we don’t give them enough publicity so I thought it would be a good idea to start a new monthly column telling you what’s new and cool! Often, new products have a limited time.
Note: We have two late additions to the list. Red Giant Magic Bullet Suite v13 came out yesterday after this article was published, so I’ll add some info near the top since it’s a big one! The Luut Action pack was sadly missed, but it’s being added now!
Red Giant Magic Bullet Suite v13
Magic Bullet Suite 13 includes seven products. Five products have been upgraded and one is entirely new. Magic Bullet Looks 4, Colorista IV, Denoiser III, Mojo II, Cosmo II, Film 1.2, and the all-new Magic Bullet Renoiser.
What it does
Magic Bullet Suite is a set of seven tools that bring intuitive real-time color correction and more into your editorial timeline.
Why it’s special
There’s no other tool like Magic Bullet Suite on the market. Instead of listing the details here, I’m linking you to Toolfarm for the information.
All the Magic Bullet Suite Products are fully compatible with Final Cut Pro X.
Digital Anarchy Samurai Sharpen for Video
$99 Introductory Sale Through November 15th, 2016
What it does
From my own personal experience, most sharpening plug-ins on the market tend to over-sharpen and bring out the noise and compression artifacting. The good noise reduction tools are often expensive and/or slow. Samurai Sharpen was developed so that users can isolate noisy areas and sharpen just what needs to be sharpened. It’s made to be fast, precise, and easy to use.
Why it’s special
Isolate only the areas you want to sharpen with edge-aware algorithms and fine tuning controls
Built-in masking allows users to avoid sharpening noise.
One license supports Adobe After Effects, Premiere Pro, and Apple FCP X. Avid and OpenFX support is coming soon.
As you probably know, there’s no “White Balance” button in Final Cut Pro X that balances with the ease of an eyedropper, so it’s necessary to use plug-ins or use color wheels. I’ve recently tested some green screen footage in which the skin tones were very orangey from the Tungsten lights, and the actress had no areas of white to sample. This plug-in worked great!
Why it’s special
The powerful AutoBalance algorithm white-balances your shot automatically fast even if there is nothing white visible in the frame.
It’s fast and easy. Just drag and drop! There are
Works in both Final Cut Pro X and Adobe Premiere Pro with one license.
SUGARfx Epicenter offers a clean and dynamic design to compliment your video with animated title elements, special transitions, lower thirds, and more.
Capture your audience with style.
When you need to add great looking graphics package to complement the full potential of your piece, choose Epicenter.
Epicenter is a complete theme and template that behaves like a plugin, thanks to the multiple options, multiple elements and multiple palettes it provides. It offers a clean and dynamic design, making it the perfect tool to grab your audience’s attention with grace and style.
Epicenter includes a set of 19 elements to enhance the look and feel of your project. Choose from animated title elements and special transitions, to lower thirds, chapter titles and specific broadcast elements.
“If your goal is to master the art of editing, you’re going to need to know the essential cuts to use when editing a film or video. Let’s go through eight of these and look at some examples of each. For said examples, we’ll be using excerpts from various films — but keep in mind that you can use these same cuts in any editing session, be it narrative, documentary, commercial, industrial, or even animation.
1. The Standard
The hard cut is the basic type of cut in editing. This type of cut is utilized when you want to cut from clip to clip without any type of transition, or where you cut from the end of one clip to the beginning of another. The only down side of the hard cut is that (out of all the cuts we’ll talk about) this one gives the least amount of visual meaning. To give you a quick overview of the history of cutting, here is a great video from Filmmaker IQ.
2. Jump Cut
The jump cut is a technique which allows the editor to jump forward in time. We see an early version of this technique in Eisenstein‘s Battleship Potemkin, where the battleship fires a mortar round and we watch the destruction as various angles jump cut from one to another. In this very early version of the jump cut, contemporary audiences were introduced to a new way of time passage in film. It obviously gained traction and is one of the most used types of cuts today next to the hard cut.” – Johnathan Paul | Premium Beat
If you have a couple minutes to spare and are looking to further understand the Ken Burns effect in Final Cut Pro X then please watch this video. Ripple Training has an outstanding track record and they give you the tools to be your own boss. Step Brothers anyone? Anyways… ENJOY!